The Drawmer 1972 Dual Mic, Line & Instrument Pre-Amplifier has been developed to make capturing perfect recordings ultra easy. The Drawmer 1972 allows you to record pristine audio from a variety of sources, making the most of the multitude of microphones found in the studio, from budget to high-end dynamic and ribbon mics. It uniquely includes features that assist in difficult recording situations, setting it apart from other preamplifiers.
The Drawmer 1972 uses the latest THAT Corporation technology in its two independent mic preamps to deliver ultra-clean, transparent, and precise recordings. These recordings can be processed later using your preferred methods, such as compression, EQ, saturation, valve, transformer, or tape. Each channel offers 66dB of stepped gain, with an additional +/-12dB trim at the output. It also features switchable mic impedance for accurate mic matching, bringing out the best in any microphone and providing a way to sculpt the sound of passive dynamic and low-impedance ribbon microphones.
In addition to standard features found on most preamplifiers, such as phase reverse, the 1972 includes a wealth of tools designed to make recording difficult sources easier, ensuring the best quality recording with ease.
Fully variable LoCut and HiCut controls allow you to tune into recordings and remove unwanted low and high-frequency signals, eliminating rumble and hiss effortlessly. Additionally, the Shape feature enhances bass or treble with a subtle tilt EQ.
A unique feature developed by Ivor Drawmer, exclusive to the Drawmer 1972, is the Lift control. Lift is a low-level dynamic gain module that has no effect on signals above 0dB. This allows for transparent and natural recording of very quiet signals without distortion or clipping in louder passages. It is particularly effective for dynamic signals, making it ideal for recording piano, all vocals (including speech), and capturing ambiance.
You may have encountered the general rule that the impedance of the preamp input should be 10 times that of the mic to achieve an appropriate input impedance and avoid loading the source. However, it is less known that mismatching can create interesting tonal differences, which can be used creatively. The Drawmer 1972 has three settings per mic input: 200, 600, and 2400 Ohms, making it easy for you to explore various tones. The results will depend on the microphone used, as the tonal changes will be obvious with some mics, but others will hardly alter, and on the material you’re working with.
Features
Download the User Manual in PDF format.
$1,875 Inc GST
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